One must almost die in order to take pleasure in being made of flesh, we’ve always known this. What time is it? Time to be eaten. Passion.
Ah if we could go over to die, taste, be tasted, and then return to this side. Ah if we could go all the way to the instant when what disgusts us intoxicates us,
The dream would be to be there, at that hour, this is the poet’s dream—and getting
there has always been the poem’s hope. And the poem or poet is the hope for this meeting
with ourselves at the hour of our most intimate foreignness, at our last minute.
—Hélène Cixous, from “What is it o’clock? Or the door (we never enter),” trans. Catherine A.F. MacGillivray in Stigmata
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